Irish Examiner view: EU passes first law regulating artificial intelligence 

EU bans real-time surveillance and biometric tech with three exceptions: Threats of terrorist attacks, searches for victims, and prosecuting serious crime
Irish Examiner view: EU passes first law regulating artificial intelligence 

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Among the hurrahs celebrating the EU for formulating the world’s first laws to regulate artificial intelligence, there are a number of caveats. As always, it is a good idea to read the small print, of which there is very little.

The rules, to develop “AI you can trust”, followed 37 hours of negotiations between the European Parliament and member states.

Ireland’s strategy — “adopting a human-centric approach; staying open and adaptable to new innovations; and ensuring good governance to build trust and confidence for innovation to flourish” — is on all fours with the final agreement. 

This covers the evolutionary path of artificial intelligence and its integration with social media and search engines.

One of the most contentious issues of the rapidly-developing technology is its deployment in surveillance systems by security services, employers, or retailers, where images of the public are captured in real time and instantly assessed as a predictor of behaviour.

Nor is this some hellish vision conjured from the creative minds of a William Gibson or Philip K Dick. On the London Underground, AI software is already being trialled to detect fare dodgers and has identified passengers likely to jump barriers at Willesden Green on the Jubilee Line.

Fare dodging costs the British taxpayer nearly £130m per year and the transgressors are responsible for more than half of the verbal and physical attacks on Tube station staff. There are now plans to extend the trial and link the AI software to the network of station cameras.

Following the Dublin riots, Justice Minister Helen McEntee is to bring forward legislation to enable facial-recognition technology to quickly prosecute offenders involved in violence and looting. The use of the technology was initially drawn up to deal with murder, rape, terrorism, and child sexual abuse.

In this weekend’s agreement, the European Parliament secured a ban on use of real-time surveillance and biometric technologies, including emotional recognition, but with three exceptions: Police would be able to use the intrusive systems only in the event of an unexpected threat of a terrorist attack; the need to search for victims; and in the prosecution of serious crime. 

MEP negotiators said they had secured a guarantee that “independent authorities” would have to give permission to “predictive policing” to guard against abuse by police and to underline the presumption of innocence.

Laws are unlikely to come into effect until 2025 at the earliest. 

The digital road ahead will be long and complicated, but Europeans have now taken the first steps along it.

Leave the last word to Shane

The farewells for Shane MacGowan, many of the most moving from fans who had queued in grey streets and pathways from Dublin to Nenagh to convey their love, are one form in which his unique voice and spirit will be remembered.

Another would be the location of his evergreen classic, ‘Fairytale of New York’, on the number one spot in the UK charts on Christmas Day. Despite being frequently lauded as everyone’s favourite festive song, despite 20 times reaching the top 20, it never made it to number one. In its original release year, it was thwarted by the Pet Shop Boys’ cover of the Elvis Presley hit ‘Always On My Mind’.

But there could be a third way for MacGowan to be honoured, and that would be for the rights’ holders to stipulate that no further alteration of the lyrics of ‘Fairytale’ be allowed.

Whoever wants to perform it has to do so with no truncation, no censorship, and no anodyne phrasing.

BBC’s Top of the Pops, back in the day when Jimmy Saville was a household name, was the first to bowdlerise the song, in 1987, and again five years later when the word ‘faggot’ was turned into ‘haggard’. Other broadcasters have played fast and loose, and a ‘family-friendly’ version was recorded for Marvel’s The Guardians of the Galaxy Holiday Special.

MacGowan said that the female character in the duet “was not supposed to be a nice person, or even a wholesome person". 

"She is a woman of a certain generation, at a certain time in history, and she is down on her luck and desperate. 

"Her dialogue is as accurate as I could make it, but she is not intended to offend. She is just supposed to be an authentic character.” 

But if critics couldn’t understand that, he said, then they could carry on bleeping. This was generous, but gives too much leeway to those who want to take something raw and powerful and turn it into a nice little vanilla.

Elvis Costello, who produced Rum, Sodomy & the Lash for the Pogues, foresaw the dangers, saying he wanted to “capture them in their dilapidated glory, before some professional producer fucked them up”. Sanitising the song does not respect MacGowan, the Pogues or this raucous classic. Or us, the audience. 

Last week, the British radio station Boom Radio asked its listeners whether they were offended by the song. 91% said no, and demanded that the original version be aired. That would be another fine way to say slán to Shane. 

Extreme risk posed by synthetic drugs

It is a sign of the times when the most eye-catching warnings issued by the authorities do not relate to weather, but to highly dangerous synthetic drugs circulating in our communities.

One month after nitazenes, which can be “more deadly than fentanyl”, was linked to an unprecedented spike in overdoses in Dublin, heroin users in Cork have been warned of “extreme risk” over an unknown powder circulating in the city. Eight non-fatal overdoses were reported within 36 hours. 

The HSE say it carries “a substantial risk of overdose, hospitalisation, and death”.  Take advice. And stay safe out there. 

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