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Bruni suggests that the fuel of grievance pumps through society, touching every political party, sex, race, or socio-economic class.
In it, Hemming traces how Martin McGuinness in particular — but also Gerry Adams — were spotted early on as men who might be able to move the provisional movement from killing to politics. Thereafter, these two figures were to a large extent protected by the British, Hemming writes. They weren’t agents, as some have speculated, but senior elements in the security services wanted to see them kept in place as they were the best bet for the Provos ending their campaign.
It’s set in Butte, Montana, in the 1890s, yet is inherently Irish in its pitch and tone. The main protagonist is Irishman Tom Rourke, who sings the immigrant song of chasing dreams through a haze of mind altering drugs — including alcohol.